And everything that you guys sent me had that energy.ĭemitria: I remember the initial character sketches that Maca sent, and just how their expressions were so perfect. I wanted them to feel so much like 13-year-olds. And I remember reading them, and I could see them so clearly. When I got into the project, the script was almost finished and getting the material had the character descriptions pretty much done. And actually, the fact that you guys sent all of those visual cues was super helpful to me. Maca: It was so easy, because so many times you get a bunch of descriptions. She would get hit with all of that stuff and I don't even know what you would do with it at that point, or if you'd been like "These girls are crazy." Piper would love those." And then, all of that would get sent to Maca. It's like almost playing with Barbie dolls, especially when we talked about costumes, because I'd be like, "Look at these cute sparkly leggings.
And then she'd be like, "No, are you crazy?" And so, we'd usually find something in the middle.īut it was really fun. I would go on Google Images and then I would bombard Demetria with images. I used Google Images a ton to look for things, because I have a very hard time visualizing something without actually seeing it in front of me. And early on in the process, they said that one of the things that is really helpful for your artist is to include pictures of what you're thinking about. Kate Karyus Quinn: This was our first time writing a graphic novel. What was the thought process behind the character designs? Because I feel like both the overall look of the whole book and the costumes themselves are very adorable.
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